Colby Cosh has eloquently and insightfully dissected the Conan O'Brien/Triumph debacle:
[W]hile I wouldn't dream of defending the phony indignation of a handful of socialists, kleptocrats, and race-baiters, there is a genuine cultural issue here. The people who are stamping their feet over the antics of a hand puppet are, I think, genuinely confused as well as politically opportunistic.Colby puts the real blame for this 'scandal' squarely on the shoulders of those who enticed Mr. O'Brien up here in the first place:
Canadian authorities promoted Conan's show without performing one minute of due diligence. Triumph has been a centerpiece of Late Night for years, and everyone but the politicians knows that his act consists of insults -- insults of the precise sort that is gradually being socially proscribed, and criminalized, up here.I haven't yet invested a lot of time into reading Mr. Cosh's pieces; but after investigating his blog and perusing his recent work, I think I have to make it a higher priority.
They confused entertainment for advertising, too. Show business is business, to be sure, but without the show, there's no business. Was Conan expected to spend a week lulling American audiences to sleep with some kind of stale Soviet travelogue expounding gustily on Canada's glories?
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